The films of Lars von Trier offer unique opportunities for thinking deeply about how Philosophy and Cinema speak to one another. The book addresses von Trier’s films in order of their release. The earlier chapters discuss his Golden Heart trilogy and USA: Land of Opportunities series by addressing issues of potential misogyny, ethical critique, and racial justice. The later chapters focus on his Depression Trilogy and address the undermining of gender binaries, the psychoanalytic meaning of the sacrifice of children and (...) depression, and philosophical questions provoked by the depiction of the end of the world. Taken together, the volume explores the topics of Philosophical Psychology, Social Theory, Political Theory, Theories of the Self, Philosophy of Race, and Feminist Thought, and opens a conversation about von Trier’s important work. (shrink)

This paper argues that the Problem of Universals as derived from Plato, i.e. the question of how abstract universal knowledge is possible and what that knowledge is of, is at the center of Phenomenology. It will be shown how Husserl’s answer to this question, via phenomenological epoche and eidetic variation, orients him primarily within the field of modern philosophy and is open to the standard criticisms of universal knowledge and abstraction offered by Hume and Berkeley. Heidegger, in more overtly recognizing (...) the origin of the problem in Plato and orienting phenomenology directly in relation to the Platonic answer to that problem, is able to achieve a clarity about the modern prejudices of philosophy and so is able to reinvent phenomenology free from the distortions of an unquestioned metaphysics of presence and assumption of the necessity of structure grounded in an unrecognized substance ontology. (shrink)